”The dead continue to live by way of the resurrection we give them in telling their stories” -Stories of Real Human Beings Make History Powerful, Photographs Make it Immediate.
A Blog Remembering the Men and Women of the American Civil War, North & South, people, faces, and a unique culture we will never see again. Photos and stories about the people that lived it, including African American Photographs, pre civil war photos and the period in cultural history that began just after the civil war. The historical info, photos and documents in this blog reflect the attitudes, perspectives, and beliefs of different times. This blog does not endorse the views expressed in some posts, which may contain materials offensive to some readers, you cannot compare the beliefs and ethical values of the people of the 1800's to the standards of today.
Every effort is taken to remember the men and women of the Union and Confederacy equally with dignity and respect.
The events of the war, and the men of the war, are fast fading from the public attention. Its history is growing to be an “Old, Old Story.” Public interest is weakening day by day. The memory of march, and camp, and battle-field, of the long and manly endurance, of the superb and uncomplaining courage, of the mass of sacrifice that redeemed the Nation, is fast dying out. Those who rejoice in the liberty and peace secured by the soldier’s suffering and privation, accept the benefits, but deny or forget the benefactor-1877 National Tribune.
Albert Bierstadt’s Guerilla Warfare- Picket Duty in Virginia 1862
This painting was inspired by the above photograph of the 7th New York taken by Bierstadt’s brother.
During the Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He did complete one Civil War painting Guerilla Warfare, Civil War in 1862, based on his brief experiences with soldiers stationed at Camp Cameron in 1861. Bierstadt’s painting was based on a stereo photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langley’s Tavern in Virginia. Bierstadt’s painting received a positive review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861, however, Curator Eleanor Jones Harvey observes that Bierstadt’s painting, created from photographs, “is quintessentially that of a voyeur, privy to the stories and unblemished by the violence and brutality of first-hand combat experience